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2011-06-18T06:08:00.000-07:00

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2011-06-13T11:54:00.000-07:00

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2011-06-13T11:47:00.000-07:00

Kung Fu Panda 2

2011-06-06T12:58:00.000-07:00

HOP MOVIE | REVIEW | TRAILER

2011-03-02T11:16:00.000-08:00

HOP MOVIE- EASTERN BUNNY

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At last — the return of Trailer Wednesday. We’ve had a really slow beginning to 2011 as far as major movie trailers go. There have been some great ones or some interesting second trailers or TV spots, but nothing totally new. Until now, thanks to the sought-after talents of comedian Russell Brand.

The springtime showers of April might seem far away, but these two films look to give some extra oomph to the month nonetheless. We have the remake of “Arthur” starring Russell Brand as an immature billionaire and a rare Easter-themed movie combining live action and animated animals, “Alvin and the Chipmunks 3.” “Hop,” in which Brand voices the heir to the Easter Bunny legacy.

Hop

Animated critters with real human friends have created mixed results. The new “Alvin and the Chipmunks” films have been wild successes, but last Christmas’ “Yogi Bear” saw the opposite. Easter comedy “Hop,” given its release a couple weeks after Disney’s “Mars Needs Moms” and a couple weeks before Fox Animation’s “Rio,” could fall into the chipmunk category. After all, bunnies and chipmunks don’t seem all that different.

The theme is not all that different from “Arthur.” E.B. (Brand) is a slacker bunny who wants to be a rock and roll drummer, not the next Easter Bunny as his father desires. He decides to travel to Hollywood where he nearly gets run over by James Marsden, who takes him in, regrettably. Kelly Cuoco (“The Big Bang Theory”) co-stars.

Kids will scream to see this one after E.B. poops jellybeans in the trailer. That’s the kind of a film you’ve got. Although some of the writing seems funny at times, looks like potty-humor jokes will be played up.

Full Cast & Crew

Theatrical Release

4/1/2011

Director Tim Hill
Cast           Credit

James Marsden   - Fred

Russell Brand   -The Easter Bunny

Kaley Cuoco

Hank Azaria

Elizabeth Perkins

Gary Cole

David Hasselhoff

Chelsea Handler

Hugh Laurie

Producers    - Credit

John Cohen Producer

Christopher Meledandri Producer

Production Companies Credit

Universal Pictures Universal Pictures

Writer   - Credit

Cinco Paul Screenwriter

Ken Daurio Screenwriter

Synopsis
The comic tale of Fred (James Marsden), an out-of-work slacker who accidentally injures the Easter Bunny (voiced by Russell Brand) and must take him in as he recovers. As Fred struggles with the world’s worst houseguest, both will learn what it takes to finally grow up.

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TRAILER

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DRIVE ANGRY 3D | REVIEW | TRAILERS | PHOTOS| WATCH

2011-03-02T11:14:00.000-08:00

Drive Angry 3D REVIEW TRAILERS PHOTOS

Nicolas Cage

PREVIEW

Nicolas Cage headlines this high-octane 3D thriller about a convicted felon who breaks out of prison to prevent the cult that murdered his daughter from sacrificing his infant granddaughter on the night of the full moon. With just three days to go before the ritual killing, Milton crosses paths with knockout waitress Piper, who agrees to help him by stealing her ex-boyfriend's mean, cherry-red muscle machine. Between that high-performance car and Milton's own black '71 Challenger, they may have a shot at taking down the cult and saving his granddaughter's life. But charismatic cult leader Jonah King isn't running scared, because when hell is unleashed on Earth, he will be the most powerful man alive. Unfortunately for Milton, the cops are quickly closing in, and a savage serial killer known only as "The Accountant" is looking to have some bloody fun on the open roads. With each passing minute, Milton's last shot at redemption is fading, so he teams up with Piper to defeat Jonah's legions of loyal disciples, avenge the death of his daughter, and prevent the crazed cult leader from plunging the entire world into infernal darkness.

Theatrical Release

2/25/2011

Full Cast & Crew

Patrick Lussier - Director

Cast          Credit

Nicolas Cage         - Milton

Amber Heard        - Piper

William Fichtner    - The Accountant

Billy Burke Jonah King

Billy Burke Jonah King

Charlotte Ross

Christa Campbell

Tom Atkins

Katy Mixon

Jack McGee

Todd Farmer

David Morse

Producers Credit
Michael De Luca - Producer

René Besson - Producer

Ed Cathell III Co-Producer

John Thompson - Executive Producer

Joe Gatta Executive - Producer

Adam Fields Executive - Producer

Avi Lerner Executive - Producer

Boaz Davidson Executive - Producer

Danny Dimbort Executive - Producer

Trevor Short Executive - Producer

Production Companies   - Credit

Summit Entertainment    -    Summit Entertainment

Writer                Credit

Patrick Lussier - Screenwriter

Todd Farmer - Screenwriter

Art Department       Credit

Nathan Amondson - Production Designer

Casting             Credit

Nancy Nayor     Casting

Film Camera      Credit

Brian Pearson     Cinematographer

Music Credit

Michael Wandmacher    - Composer (Music Score)

Wardrobe   Hair   Makeup     Credit

Mary E. McLeod    -     Costume Designer

TRAILER - CLIPS

Unknown Movie Review | Trailer | Watch | Online

2011-03-02T10:58:00.000-08:00

'Unknown'

RATING **
In Unknown, a generic conspiracy thriller from director Jaume Collet-Serra (Orphan, House of Wax), the protagonist, played by Liam Neeson, emerges from a four-day coma to find himself in the midst of a kind of reverse-identity crisis: He’s fairly certain who he is, but everyone else around him seems to have forgotten, as if they’ve contracted a kind of collective amnesia. The filmmakers hope dearly that this amnesia will extend to the audience, that you won’t remember the Bourne trilogy, The Fugitive, or any number of other thrillers from which Unknown borrows heavily. Its main strategy for achieving this is to churn out action-thriller clichés at such a breathless pace that you won’t pause to ponder the film’s unoriginality.

Moments after arriving in Berlin for a biotech conference, world-class botanist Martin Harris (Neeson) nearly dies in a traffic accident. Stranded in a foreign country without any form of identification, he angrily asserts to everyone he encounters he is “Martin Harris, Doctor Martin Harris,” to which he mainly receives puzzled looks from confused Teutons. Events take a more sinister turn when even his wife, Elizabeth (Mad Men’s January Jones)*, claims not to recognize him, and another man purporting to be Martin Harris takes his place by her side.

Is this all some elaborate ruse, or just the after-effects of the car accident? As Martin (Neeson’s version) probes the mystery of his lost identity, he becomes enveloped in a grand conspiracy involving agribusiness conglomerates, Arab sheiks, a beautiful Bosnian immigrant (Diane Kruger), a sickly ex-Stasi member (Bruno Ganz), and a pair of stereotypically menacing German hitmen. The film’s setup is intriguing, and its plot features a few clever twists, but for the most part it's a predictable affair, and one which gradually loses its grip on reality. As a piece of mindless entertainment, Unknown has its moments – there are a handful of well-choreographed action sequences, including the obligatory urban car chase – just don’t try to engage it on a logical level, or you might end up in a coma yourself.

*I thought for sure Jones' character would at some point be revealed as an android, but alas I was wrong.

VIDEO

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I Am Number Four Movie Review | Trailer | Watch

2011-03-02T10:57:00.000-08:00

'I Am Number Four'

I Am Number Four Movie Review Trailer

Click on the images to Enlarge

RATING ***

Which Number to give for Rating?

I Am Number Four, a sci-fi action drama from D.J. Caruso (Disturbia, Eagle Eye) about a teenage alien’s earthly travails, has the look and feel of a CW series – i.e., lots of attractive young people, some of whom possess supernatural abilities, and superhuman amounts of angst and alienation. This is not a coincidence: Two of its screenwriters, Alfred Gough and Miles Millar, happen to be the creators and executive producers of Smallville, a series chronicling Superman’s youthful pre-Metropolis years that’s now in its tenth and final season on the CW. (The script is adapted from a novel by Pittacus Lore.)

Unlike Smallville’s solitary Kryptonian, I Am Number Four’s hero is not alone. Number Four (Alex Pettyfer) is one of nine gifted residents (each branded with a number, for reasons not sufficiently explained in the film) from the planet Lorien, who fled to Earth after their civilization was annihilated by the Mogadorians, a race of mumbly, trenchcoat-clad goons with tattooed scalps hell-bent on ridding the universe of its water polo players. (Indeed, Pettyfer’s hair in the film perpetually bears that fresh-out-of-the-water look, common also to surfers and lifeguards.) Together with his anointed guardian, Henri (Timothy Olyphant), he travels from small town to small town, adopting assumed names and trying to keep a low profile so as to avoid detection by the Mogadorians, who have followed the Loriens to earth to finish the job.

I Am Number Four skillfully mines much of the same emotional territory of the Twilight saga and its variants, albeit from a slightly geekier, less melodramatic, more male-oriented angle. (Michael Bay produced the film.) Four’s itinerant lifestyle and otherworldly heritage make the adolescent struggle to fit in all the more difficult; he’s anti-social, broods a lot, and acts out toward Henri telekinetically. (Kudos to Caruso for the unorthodox but effective choice of Olyphant, a guy who always looks to me as if he’s about to stab someone, as the father-figure). This is likely because Four is in the middle of that awkward alien superhero stage: special powers, like hands that glow brightly and emit beams of energy, spontaneously reveal themselves at inopportune times, causing him to flee from physics class, mortified. Pettyfer's really got the tormented bit down; if he can master a few more expressions, he's really gonna go places.

Despite these difficult public moments, and despite Henri’s repeated warnings to avoid earthly relationships, Four manages to strike up an inter-species romance with fellow attractive outcast Sarah (Glee's Dianna Agron), Bella Swan’s blonde equivalent, a former cheerleader who has since disavowed her popular-girl past. This in turn invites the fury of Sarah’s former boyfriend and current stalker, a bullying jock named Mark (Jake Abel).

Soon, however, Four’s rites of adolescence must take a backseat to the more pressing matter of defending his species – and his adopted planet – from the Mogadorians, who’ve tracked him to his Paradise, Ohio, location via that advanced alien technology known as YouTube. An apocalyptic battle, set at Four’s high school, ensues, during which he is joined by a fellow Lorien, Number Six (Teresa Palmer), a hot-blooded Aussie biker chick whose powers include the ability to communicate exclusively in double entendres. Four is also aided by Sarah, a UFO-obsessed sidekick (Callan McAuliffe), and a shape-shifting puppy.

I Am Number Four’s climax largely abandons its appealing Smallville ethos for something more suitable of a film bearing the name of Michael Bay, but made with a fraction of the effects budget. The orgy of destruction, involving CGI beasts and laser guns and explosions and tons of acrobatic stuntwork, comes off a tad cheap, if not a little tacky. Hopefully the filmmakers will get a bit more cash to make the sequel, which I Am Number Four's ending rather blatantly labors to set up.

TRAILER

The Eagle Movie Review | Trailer

2011-03-02T10:34:00.000-08:00

'The Eagle'

RATING 2.5

The soldiers of Rome’s fabled Ninth Legion may have disappeared nearly two millennia ago, but Hollywood’s fascination with them remains. The Eagle, directed by Kevin Macdonald (The Last King of Scotland), is the second mid-budget action flick to involve the Ninth in as many years, the first being Centurion, a hack-and-slash B-movie from genre director Neil Marshall.

In comparison to Marshall’s film, The Eagle is a bit classier in tone and considerably milder in content, perhaps out of deference to its source material, Rosemary Sutcliff’s The Eagle of the Ninth, a children's novel regarded by many as a classic. That little demographic detail might help explain Macdonald’s someone odd decision to cast Channing Tatum, star of Step Up and G.I. Joe: The Rise of Cobra, in the lead role of a second-century Roman Centurion. Tatum has played soldiers of various stripes before, but never a commander, and never in an earnest period piece like The Eagle; he fits the suit nicely, but I fear he might be in over his head otherwise.

As the film is set in the year AD 140. 20 years prior, the 5,000-strong Ninth Legion marched into Northern Britain under the leadership of a general named Flavius Aquila, and never returned. Flavius’s son, Marcus Aquila (Tatum), arrives at a remote outpost on the island, determined to restore his family’s good name via feats of gallantry on the battlefield. He seems well on his way toward doing so, too, until an ill-fated encounter with an enemy chariot leaves him nearly crippled, and he is declared unfit for further service.

While recuperating from his wounds, Marcus receives word that the golden Eagle of the Ninth, the lost legion’s official emblem, has been seen in the hands of the Seal People, one of several savage native tribes that roam the wilderness beyond Hadrian’s Wall. Attempting to recover this potent symbol of Rome’s glory might be a virtual suicide mission, Marcus reasons, but it might also be his only chance to remove the taint that his father’s ignominious defeat left upon his family’s reputation.

And so he endeavors to find it, bringing along his British slave, Esca (Jamie Bell), a former prisoner of war whose well-groomed mane suggests that his Roman captors were not so cruel as to deny him access to conditioner and a blow-dryer. He seethes with resentment toward Marcus, whose Centurion predecessors pillaged his tribe just a few years prior, but he is nonetheless bound by honor to serve him after being spared from the gladiator’s blade through Marcus’s intervention.

The thrust of the film is Marcus’s relationship with Esca, which begins as a prickly culture-clash but gradually evolves into a sincere brotherly bond, forged by various skirmishes with local warriors amidst the cold and forbidding landscape of Caledonia (now Scotland). You’ll find very little indication of this in The Eagle’s opening act, however. Macdonald devotes the first 25 minutes or so to setting up an entirely different film – a more conventional sword-and-sandals tale of an undermanned garrison fending off barbarian sieges -- before resetting the narrative and fixing on the bromantic angle that carries it through to the closing credits.

The prolonged dual set-ups disrupt the natural action-movie rhythm, and The Eagle enters a somnolent phase at a point when it feels as if it should be building momentum. The lull gives us far too much time to contemplate Tatum’s shifting accent, which sometimes resembles an Irish brogue, other times a more contemporary Southern-American-Meathead intonation. For whatever reason, Macdonald either didn’t notice the inconsistency or didn’t consider it germane to the film’s proceedings. It’s a shame, because it pierces the layer of authenticity that the director so carefully – and convincingly – labors to create. If this is second-century Britain, what's that kid from Alabama doing here?

TRAILER

'No Strings Attached' Movie Review

2011-03-02T10:18:00.000-08:00

'No Strings Attached'

RATING ***
Something wrong with the Strings !

Forget Black Swan – Natalie Portman’s real crowning performance is to be found in the romantic comedy No Strings Attached, in which director Ivan Reitman asks her to convey sincere, unqualified affection for Ashton Kutcher. Portman, much to her credit, gamely complies, and though she may not have the emaciated figure, bloody nails and bandaged ankles to tell of her labors, the psychic scars must no doubt be just as severe.

Exhibiting strong chick-flick leanings and a rambunctious, soft-R comic tone (i.e., lots of F-bombs, some menstrual humor, and a few shots of Kutcher’s naked ass), No Strings Attached is built around a basic relationship role-reversal: The dude, Adam (Kutcher), longs for a deeper, lasting commitment; the chick, Emma (Portman), insists on keeping matters purely physical. Emma’s motive is a practical one: As a doctor-to-be, her busy residency schedule, with its 80-hour work weeks and intensive exam preparations, precludes a serious relationship. But alas, a woman has certain needs (foreplay, apparently, not being among them), and who better to fulfill them than Kutcher’s non-threatening boy-toy?

Thus a “friends with benefits” arrangement is cemented, whereupon the ripcord is to be pulled on the occasion that either of them develops stronger feelings. This does not last long, for soon Adam is cloyingly lobbying for escalation. Emma demurs – not out of disinterest, we are told, but because she’s intimacy-averse and afraid of a broken heart. Why else would she resist a more permanent attachment to someone like Adam?

Perhaps it’s because Adam, as played by Kutcher, is about as interesting as cabbage. And yet No Strings Attached would have us believe he’s some kind of floppy-haired Albert Schweitzer. This despite the fact that his greatest aspiration in life is to join the writing staff of a High School Musical-esque television series, the shallow inanity of which is one of the film’s recurring jokes. In vain support of his cause, the filmmakers decorate Adam’s apartment with various props – vintage posters, books about 1920s movies, a guitar that is occasionally picked up but never actually played – that hint at a depth that Kutcher himself never manifests.

Still, Portman sells us on Adam and Emma’s inevitable union with every ounce of her not inconsiderable talent. (And her comic chops are legit – as those who’ve glimpsed her appearances on SNL and Funny or Die can attest.) But she asks too much. And Elizabeth Meriweather’s script, while witty and stocked with some keen observations on the evolving nature of relationships in the modern age, becomes weighed down by sentiment unbecoming an R-rated comedy not directed by Judd Apatow. In the end, Kutcher seals the increasingly contrived deal with the climactic line, “I’m warning you: Come one step closer, and I’m never letting you go,” (I’m paraphrasing, but not loosely) by which time the film's already lost its grip.

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2011-02-10T10:04:00.000-08:00

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2011-02-10T09:51:00.000-08:00

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2011-02-09T11:35:00.000-08:00

GAYA Premios y Nominaciones | GAYA Awards and Nominations

2011-01-29T06:09:00.000-08:00

La cinta de Álex de la Iglesia obtiene 15 nominaciones al Goya. Otra de las favoritas es También la lluvia, de Icíar Bollaín con 13 nominaciones.

Los galardones se entregan el próximo 13 de febrero en el Teatro Real de Madrid.

Madrid, 11-01-2011. La carrera por el premio Goya ha comenzado. Balada triste de trompeta de Álex de la Iglesia se sitúa a la cabeza, con 15 nominaciones. “Me ha sorprendido y, además, me he puesto bastante nervioso”, confiesa el presidente de la Academia de Cine. “Yo creo que todos los actores fantaseamos con estar nominados a los Goya, pero cuando dicen tu nombre ya es muy fuerte, estoy de los nervios”, argumenta Carolina Bang, nominada al Goya en la categoría de mejor actriz revelación por Balada Triste de trompeta.

Otra de las cintas favoritas es Pa negre con 14 nominaciones. Le sigue También la lluvia, con 13. “Es una alegría, sobre todo porque tenemos unas películas que están muy bien, la película de Icíar es estupenda, Biutiful es estupenda, Pa negre es una sorpresa y una alegría que esté entre las películas nominadas”, añade De la Iglesia.

Icíar Bollaín, que también es vicepresidenta de la Academia de Cine, compite con el presidente de la institución, Álex de la Iglesia. Y El actor gallego Luis Tosar competirá por el Premio Goya con Javier Bardem. “La suerte es que tenemos buenos actores y que podamos contar con actores como Bardem, Tosar y Antonio de la Torre, que son pesos pesados de nuestro cine”, matiza la cineasta Icíar Bollaín. Los galardones se entregan el próximo 13 de febrero en el Teatro Real de Madrid.

MEJOR PELÍCULA

Balada triste de trompeta

Buried (Enterrado)

Pa negre (Pan negro)

También la lluvia

MEJOR DIRECCIÓN

Rodrigo Cortés (Buried)

Agustí Villaronga (Pa negre)

Icíar Bollaín (También la lluvia)

Álex de la Iglesia (Balada triste de trompeta)

MEJOR ACTOR PROTAGONISTA

Antonio de la Torre (Balada triste de trompeta)

Javier Bardem (Biutiful)

Ryan Reynolds (Buried)

Luis Tosar (También la lluvia)

MEJOR ACTRIZ PROTAGONISTA

Elena Anaya (Habitación en Roma)

Emma Suárez (La mosquitera)

Belén Rueda (Los ojos de Julia)

Nora Navas (Pa negre)

MEJOR ACTOR DE REPARTO

Eduard Fernández (Biutiful)

Álex Angulo (El gran Vázquez)

Sergi López ( Pa negre)

Karra Elejalde (También la lluvia)

MEJOR ACTRIZ DE REPARTO

Terele Pávez por Balada triste de trompeta

Ana Wagner (Biutiful)

Pilar López de Ayala (Lope)

Laia Marull (Pa negre)

MEJOR ACTOR REVELACIÓN

Juan Carlos Adubiri (También la lluvia)

Francesc Colomer (Pa negre)

Manuel Camacho (Entrelobos)

Oriol Vila (Todas las canciones hablan de mí)

MEJOR ACTRIZ REVELACIÓN

Aura Garrido (Planes para mañana

Carolina Bang (Balada triste de trompeta)

Marina Comas (Pa negre)

Natasha Yarovenko (Habitacíón en Roma)

MEJOR DIRECTOR NOVEL

David Pinillos (Bon Apetit)

Emilio Aragón (Pájaros de papel)

Juana Macías (Planes para mañana)

Jonas Trueba (Todas las canciones hablan de mí)

MEJOR PELÍCULA EUROPEA

El escritor

El discurso del Rey

La cinta blanca

Un profeta

MEJOR PELÍCULA HISPANOAMERICANA

Contra corriente

El hombre de al lado

El infierno

La vida de los peces

Álex de la Iglesia, director de Balada Triste de Trompeta y presidente de la Academia de Cine.

Carolina Bang, actriz.

Icíar Bollaín, directora de También la lluvia y vicepresidenta de la Academia de Cine.

NO STRINGS ATTACHED | WATCH HERE

2011-01-29T02:53:00.000-08:00

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2011-01-28T10:36:00.001-08:00

SANCTUM WATCH MOVIE TRAILERS ONLINE | PHOTOS | VIDEOS | IMAGES

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An underwater cave diving team experiences a life-threatening crisis during an expedition to the unexplored and least accessible cave system in the world.

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2011-01-24T07:29:00.000-08:00

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2010-12-14T11:46:00.000-08:00

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2010-09-12T14:03:00.000-07:00

Brindavanam 2nd song @ Brindavanam telugu movie Audio release function-

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http://www.youtube.com/watch?v=9cyz04lNEzM

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Brindavanam Audio Launch function
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Srihari making fun of Venu Madhav and beat him at Brindavanam Audio Launch function
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